Professor Barrington,
Hah!
To be fair, you've got to see the irony of writing my thesis in a linear manner.
You’ll find the (current) outline attached. It's been through several revisions already.
Chapter One: Introduction
1.1: Framing the Research
1.2: Disclaiming Objectivity
1.3: A Note on the Author (or lack thereof)
Chapter Two: Literature Review
2.1: The Wind and Where It Decided To Go
1.1: The Wind
2.2: The Sea and the Spine – The Living Theatre
1.2: The Sea
2.3: The Stars and What is In Between Them – Kane, Churchill, Stephens.
1.3 : The Stars
Chapter Three: Methodology
3.1: Navigation / Configuration / Construction
3.2: The Role of the Performer as Reader
3.3: On Meaning Without Intention
Chapter Four: Analysis
4.1: Case Study: Rehearsal as Discovery
4.2: Affordances of the box
4.3: Patterns of Loop and Drift
4.4: “This Is the Map”: Toward a New Vocabulary
4.5: The Memories of a Dead Author
Chapter Five: Conclusion
5.1: Tired Paths, New Routes
5.2: On Wayfinding
5.3: Things We Leave Behind
If anything stands out, do let me know. I’m still charting the course.
Regards,
E.Z.
