The LOST

You Are Holding a Box

This final lost page confirms the reader as performer, making the physical artefact part of the text.

PATHS.

Which way will you go?

The Lost /
The Dead

Theatre Without Walls

A short film on the freedom of youth and the consequences of that raw energy. Where do your feet lead you, and are you in control of them? 

Dance

The Stars /
The Grandmother

The Mutable Play

A short film on the freedom of youth and the consequences of that raw energy. Where do your feet lead you, and are you in control of them? 

Dance

Footnotes & References

  • Core Theoretical Foundations:

    1. Eco, U. (1989). The Open Work (on reader participation).

    2. Aarseth, E. (1997). Cybertext (on tangible interaction).

    3. Latour, B. (2005). Reassembling the Social (on objects as actors).
    4.  

  • Critical Debates and Counterarguments:

    1. Goffman, E. (1956). The Presentation of Self in Everyday Life (on staged identity).

    2. Phelan, P. (1993). Unmarked (arguing performance cannot be preserved).

    3. Bogost, I. (2012). Alien Phenomenology (arguing objects are not texts).
    4.  

  • Empirical Studies & Case Studies:

    1. Escape room interactivity.

    2. AR storytelling (Pokémon Go as narrative objects).

    3. S. by Abrams & Dorst.