The SEA path

The Theatre of Assembly

This chapter compares traditional forms of theatre configuration (such as devised theatre and collage performance) with ergodic storytelling, considering how both practices challenge linear dramaturgy.

PATHS.

Which way will you go?

The Sea / 
The Mother

Stitching a Story Together

A poetry collection questioning our place in life. Questioning who we've become when so much is behind us, and so much is still ahead.

Float

The Stars /
The Grandmother

Theatre Without Walls

A short film on the freedom of youth and the consequences of that raw energy. Where do your feet lead you, and are you in control of them? 

Dance

Footnotes & References

  • Core Theoretical Foundations:

    1. Anne Bogart – A Director Prepares (2001) – Alternative methods of assembling performance.

    2. Richard Schechner – Performance Theory (1988) – How theatre acts as a ritualized process.

    3. Augusto Boal – Games for Actors and Non-Actors (1992) – Theatre as a tool for interactive engagement.
    4.  

  • Critical Debates and Counterarguments:

    1. Konstantin Stanislavski – An Actor Prepares (1936) – The need for psychological realism in theatre.

    2. Aristotle – Poetics – Prioritizes clear narrative structure over fragmented forms.

    3. Edward Gordon Craig – On the Art of the Theatre (1911) – Suggests visual staging should be highly controlled.
    4.  

  • Empirical Studies & Case Studies:

    1. Complicité’s Mnemonic – Memory-driven theatrical assembly.

    2. Forced Entertainment – Devised theatre using found materials.

    3. Rimini Protokoll – Documentary theatre as collage performance.
    4.